Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Tuesday, October 13, 2009

Where The Godwits Fly - Robin Hyde on Kuaka



Robin Hyde

New Zealand novelist, journalist, and poet, Robin Hyde, (1906-1939) is currently featured as Kiwi of the Week on New Zealand History On-Line. Her short, tragic but creative life speaks of a time when society was more unforgiving of the independent woman blazing her own trail away from the prevailing social conventions. Robin Hyde was the name of her dead infant son, born out of wedlock, that Iris Wilkinson kept alive and immortalized by using as her pseudonym for her serious writing.

In the foreword to her novel, The Godwits Fly, (1938), Hyde casts the godwit (kuaka) as a metaphor for the migratory New Zealanders who left their home shores driven by some urge to explore the world, in her day to "return" to Mother England, today to become a part of a more dispersed Kiwi diaspora. Names in bracketed italics have been added by this blogger  to identify notable New Zealanders who left the country to live abroad. The full text of The Godwits Fly is available at the very useful The New Zealand Electronic Text Centre.

To those of us kuaka, it bears a message. More on the feathered godwit kuaka here.

Author's Foreword - Concerning Godwits

"But many people do not know what a godwit is. And the dictionary says sourly, a kind of marsh bird. Of the immense northerly migrations that yearly in New Zealand, when summer is gone, shake wings into the sky as if from a giant's salt-pot, nothing is told. But this is true: every year, from sandy hollows in the north of the northernmost of those three islands, the godwits set out on a migration beside which the swallow's blue hither and yon is a mere stroll with wings.

And it is true, too, that the godwits, flying north, never go near England. They fly to Siberia. But to a child in this book, it was all more simple. A long way was a long way. North was mostly England, or a detour to England.

Later she thought, most of us here are human godwits; our north is mostly England. Our youth, our best, our intelligent, brave and beautiful, must make the long migration, under a compulsion they hardly understand; or else be dissatisfied all their lives long. They are the godwits. The light bones of the mother knew it before the chick was hatched from the eggshell.

England is very beautiful, she thought, staring at a tree whose hair … not properly flowers… was the colour of fire. And this also is very beautiful.

‘Where is Mowbray? Where is Mortimer?’ whisper the old leaves of their history. ‘Nay, and more than all these, where is Plantagenet?’ But ours, darker, might cry, ‘Where is [Bishop] Selwyn? Where is [Ernest] Rutherford? Where is Katherine [Mansfield], with weeds on her grave at Fontainebleau, when what she really wanted was the dark berry along our creeks? (Don't you remember? We call them Dead Man's Bread.) Nay, and more than all these, where are our nameless, the beautiful and intelligent who went away and died, in wars and otherwise, the beautiful and intelligent who went away and hopelessly failed, or came back and were never themselves any more?’

Passing judgments on any circumstance, compulsion, fate, is no use at all, she thought. England is beautiful: this also is beautiful. They are the godwits. Still, I think it odd, because I know this country.  Think not without a bitter price.… That's for the easy brittle plough, that wants our hills.

We are old and can wait, said the untamed soil against which she pressed her fingers; although it, more than anything else, was awake and aware of its need to be a country… the integration of a country from the looseness of a soil. Maybe, responded the girl; though logically, living or dead, they ought to have the same compulsion to come back… the godwits, I mean. And, of course, there's something fine, a King of the Castle feeling, about having the place almost to oneself. Fine but lonely.…

Only fools, said the sparse-ribbed rock, are ever lonely."

Monday, October 12, 2009

Better Britain - Cultural Cringe in New Zealand Schooling in the 1930s

As a British settler colony, New Zealand and New Zealanders sought to build a new, better Britain but were inextricably bound to "Mother England" as her farm and by blood ties. But this social conditioning, accentuated in the teaching of young New Zealanders in their schools was a process of denial: denial of their new land, denial of the Maori who they now shared this land with; and denial of their evolving roles as South Pacific Islanders. The result was a form of social schizophrenia and a cultural cringe. Novelist Robin Hyde summed up the situation nicely in 1938. 

From Robin Hyde's The Godwits Fly, chapter three, Bird of My Native Land:

"Sometimes in class Mr Bellew talked about the godwits, who fly every year from the top part of the North Island to Siberia, thousands of miles without a stop. They fly north, they fly north.… They lined a dell one night with secret olive wings, and next morning were gone. Mr Bellew said, with melancholy satisfaction, ‘And the eye of white man has never looked upon their flight.’

Something there had been, something delicate, wild and far away. But it was shut out behind the doors of yesterday, lost beyond the hills, and sticking a dead twig of it into a hole in the playground, or a rotten poem in the school journal, only made it sickly and unreal. You didn't really have to think about it—Maoris, godwits, bird-of-mynative-land. Attending to it at all was a duty call to a sick-bed. History began slap-bang in England. ‘At the Battle of Hastings, in 1066, William of Normandy defeated King Harold.’ A picture showed King Harold very angry and frightened because William had tricked him into taking an oath on the bones of the Saints. You were sorry for him and didn't want him to be beaten, but of course he was; especially you wished the arrow had hit him anywhere but in the eye. Normans in England said ‘Bœuf’ and ‘Mouton’ at first and the old Saxon tongue struggled and died out, till nobody understood it, any more than people here understood Maori.… You had to know that much, or you failed in your examination.

You were English and not English. It took time to realize that England was far away. And you were brought up on bluebells and primroses and daffodils and robins in the snow—even the Christmas cards were always robins in the snow. One day, with a little shock of anger, you realized that there were no robins and no snow, and you felt cheated; nothing else was quite as pretty. The tall sorrel heads of the dock-plants were raggedy under your hands, and the bush of daisies with brown centres stuck out from under the bedroom window, its roots somehow twisted into the asphalt of Calver Street."

Full text available at the New Zealand Electronic Text Centre.

Frighteningly, this "being English, yet not being English" message persisted in the New Zealand school system well into the late 1960s, if not beyond, given this blogger's experience as a school pupil in that era. Thankfully, some progress has been made in the last couple of decades in developing a stronger emphasis on New Zealand's own culture, politics, history, and science in its educational institutions.

But the jury must still be out for some years to come on the success or otherwise of this process, especially in an era where a narrow policy objective of commercialism is used to drive the educational system at all levels. One god may simply have replaced another.